|
Read Past Newsletters TIGERS, CAMELS AND BUFFALOS IN EL CENTRO...
The other day was in the Centro by el Jardin, main plaza, shopping in a store, suddenly the sound of horns blasting, loud dance music from cars...and then the surreal sight of camels in an open top truck cruising by the plate glass window. Then enclosed trucks with tigers, one lone buffalo (where did they get the buffalo?)...hola Fellini, all on their way to a circus at the edge of town by the Gigante supermarket, and where the truly gigante Tuesday Market is held...everything under the Mexican sun for sale in the crowded stalls. The smell of so much food cooking, someone offering you a spoonful of yummy, dark, chocolate mole with a huge, joyful smile. So today when I went to Gigante, there was the circus tent, some of the tigers in their cages...kids, families staring in awe. The tigers looked cared for, clean in the cages, but it still makes me sad to see these beautiful wild beings caged. No animal rights groups to free them, the camels, the buffalo...lots of skinny dogs roaming the streets...yet their presence here in San Miguel is strangely magical, forbidden. I meant to add this in 'newsletter style', now realize I'm in the wrong area, so will stop here, add a longer newsletter later. Whoever reads this, please know that San Miguel remains a Mexican town- the 'expats, gringo/as' etc are in the minority, and now there's tigers in San Miguel...next about a bull fight where the bulls kept taking the capes from los matadors...QUE VIVA EL TORO...
Dia de Los Muertos, Noviembre 2006
|
|
04-Nov-2006 Before Easter Sunday a procession started in the beautiful park by mi casita...when you walk through, or sit for awhile, by the bathrooms run by a woman who charges 2pesos, she plays flamenco, Vivaldi, 70s rock and more daily, listened to by playing children, their parents, school kids hanging out, me...and so, the procession of large lines of people, holding their hand made sacred palm fronds decorated with flowers, stood ready to walk to El Jardin. In front of them a group of teen/early 20s novice priests in rainbow colors, some with punked up hair...they looked like Tibetan rockers, very handsome (to the priesthood, que lastima a las mujeres). In front of the gorgeous rainbow priests, a band of dressed up Indios with drums, rattles, faces painted...in front of them a young Jesus (as in a statue), on a flower/palm filled litter, and beside him a 6 year old girl angel with her glittery angel wings to accompany him to El Jardin (and her mother...). As the crowd begins to move to the beat of the drums, singing, JOY...an older woman grabs me by the arm and pulls me into the crowd. I'm so happy I might start bawling, but I don't- suddenly, I feel Mamacita's soft feathery hand in mine as I walk...I don't look at her or she might disappear. Women on roof tops begin throwing roses, lillies onto our heads as we walk by...the young priests have flower petals on their punky hair and they smile with so much joy, their youth...as the young Jesus now being carried by other young men...breaks my heart, heals my heart, and that's the way it is.
After Easter, I go to my first bull fight...a Catholic country, the sacrifice of the young Jesus, the sacrifice of the bull...I'm truly dreading it but then the pagentry takes over...in the stands in full sun (cheaper tickets) is a beautiful man (with his beautiful blonde girlfriend) wearing a wide Zapata hat, bare chested, commanding everyone's gaze...he laughs directly up to the blazing sun, sipping his cerveza. The spectacle of another gorgeous guy on horseback...his name 'Hermoso' (Beautiful) is a clue...he kills a bull that looks pretty tired, doesn't give much of a fight, and when he tosses the ear into the crowd, they toss it back. Two very handsome, slick young men sit next to me- they begin texting, sending photos, receiving calls, talking in low voices, smiling at me ayyyy. They share their Sangre de Toro vino, and as the first bull takes the cape from the matador, I yell QUE VIVA EL TORO, and the young drug lords join me laughing. The next bull does the same, but in the end they both die...I hear they give the meat to the poor, that I can live with. A 10 year old boy matador bravely puffs out his chest as a young bull runs into the ring...this young bull isn't tired at all and knocks the boy down almost immediately...the boy's whisked away to grown men's macho cheers. I sip my Sangre de Toro as Zapata strolls slowly to the exit, and the crowd breaks into a roar of adios...adios to the spirit of Zapata...QUE VIVA EL TORO...QUE VIVA OAXACA EN NOVIEMBRE 2006... |
|
Anthology
SOLAMENTE EN SAN MIGUEL
This is a new anthology of writers living in San Miguel de Allende, Mexico, where I now live- a mix of poetry, fiction, non-fiction. My work is also included in the anthology and as a new resident, I'm delighted.
Fiction, short story collection
WEEPING WOMAN, LA LLORONA AND OTHER STORIES
"LA LLORONA, the weeping woman, walks through the pages of this book as a spirit guide, someone unto whom other's sorrows flow...Villanueva shows the power of the human spirit in this disturbing and beautiful book." Library Journal, March 1, 1994.
Novels
THE ULTRAVIOLET SKY
"Villanueva's ultraviolet sky is overhead for all of us." --Kathryn Trueblood, The Before Columbus Foundation Fiction Anthology.
NAKED LADIES
"One of the most inspiring elements of this novel is the wonderful portrayal of strong women." --Veronica Chambers, Los Angeles Times, 1994.
LUNA'S CALIFORNIA POPPIES
"Holden Caulfied meets Anne Frank in this compelling coming-of-age novel." --Library Journal, May 2002
Poetry
SOFT CHAOS
Forthcoming in 2007, 230 pages. www.amazon.com will announce it.
VIDA
The poetry of Alma Luz Villanueva, like her prose, is drawn from the gut, her womb, and a vital point in an intelligent woman's mind. She always speaks from the heart. She delivers to the reader the offerings of a whole human being. She sings, she rages, she lets us know that above all, the poet is a mirror to our own inner triumphs and failures.
Ana Castillo, author of SO FAR FROM GOD
DESIRE
"This riveting volume full of lingering images and provocative, personal and political moments opens my heart and aligns me with the powerful feminine forces that continue to surge through Ms. Villanueva's writing. Her transformational journey becomes my journey. She speaks from the heart and reaches the heart."
Burleigh Muten, author of RETURN OF THE GREAT GODDESS
POETRY
PLANET with MOTHER, MAY I?
"What I still most enjoy about Villanueva's poetry, aside from the strength of her images and the way they convey her inner life, is her voice. That voice is confident, direct, unflinching, intimate."
Marie-Elise Wheatwind, from The Women's Review of Books, May 1994.
|
 |
|